Patricia Arquette gives a full-throttle performance in this lively new dark comedy set in small town California she plays Peggy Newman, an addict with a messy past and a problematic present including her jailbird ex, Denny (Matt Dillon), and her strait-laced siblings, who want to sell the family home after their mother dies. A genuinely history-making film – both for its beautiful story and surprise Oscar win, which birthed the infamous, excruciating La La Land moment. The cast are a mix of newcomers and familiar faces, and the tale they tell will hold you and then floor you. Lee J Cobb and Julie London are excellent co-stars.īarry Jenkins’s exquisite second film is a three-part story about a boy growing up black and gay in Miami, based on an unproduced play by Tarell Alvin McCraney. Just as Jones has put his past behind him, he finds himself stranded after a train robbery – and forced to seek refuge with his old gang. ![]() Gary Cooper, in what the posters called “the role that fits him like a gun fits a holster”, plays reformed outlaw Link Jones, whose anxious characterisation belies the tagline. This Anthony Mann Western is one of the genre’s toughest. But years on, the former Playboy covergirl continues to fascinate this unflinching feature-length documentary explores her life and career through interviews with close friends and never-before-seen archive footage. It is about Vardy’s upbringing as a Jehovah’s Witness, a religion that she claims failed to support her through sexual abuse and is failing many others.Īnna Nicole Smith: You Don’t Know Me (2023)įollowing her death in 2007, aged just 39, model Anna Nicole Smith was known mostly for her second marriage to 89-year-old billionaire J Howard Marshall, and the legal battle that ensued after he died. This documentary, however, is not about that. Rebekah Vardy is best known for her role in last year’s “Wagatha Christie” trial. Rebekah Vardy: Jehovah’s Witnesses and Me Also airing on BBC Two on Thursday at 9pm and available on iPlayer. Mark Bonnar’s cold, calculating Max reaches his zenith with a scheme that would not only make him filthy rich, but screw over Maggie (Phyllis Logan). This engrossing feature-length documentary recounts how, after his death, the community gave way not only to conflict and violence, but to shocking allegations of sexual abuse.įor three series, this Scottish thriller has been one of the sharpest shows on TV – and tonight’s finale is no exception. In 2015, charismatic Rabbi Eliezer Shlomo Schick, the leader of one of the most orthodox Hasidic communities in Israel, died. The third series of the property show also introduces us to Matt and Maryellen, a couple who disagree over the direction of their flamboyant Brazilian-style self-built home. ![]() Those who survive will be tasked with working under Michelin-starred chef Peter Sanchez-Iglesias during a busy lunch service at Decimo in London.īuilding your own home sounds like a dream, but for Nicola from Yorkshire, it turns into a nightmare when the centrepiece of her vision – a grand triangular window – doesn’t fit her build. Gregg Wallace is unwell, so MasterChef: The Professionals judge Anna Haugh joins John Torode to whittle down the remaining contestants. Nor does the return of former deputy head Andrew (Jamie Glover), the old flame of perpetually stressed out headteacher Kim (Angela Griffin). The arrival of new boy Myles (Osian Morgan), an obnoxious troublemaker, doesn’t help. SKĪfter last series’ shock stabbing, the soapy classroom drama returns tonight with tensions running high between pupils and the police. It’s not easy viewing, but a gripping insight into a world so often seen in TV dramas. The street where she was grabbed is not covered by CCTV, but there is a doorbell camera that could prove pivotal. He, of course, denies everything, so the next step for detectives is to prove the victim’s story. We are shown gripping body cam footage of police officers speaking to builders working in the derelict house – only for an officer to notice scarring on one of their arms. The other key piece of evidence is the victim’s description of a man with self-harm scars. The attacker gave it to the victim so he could claim she was a sex worker. “Our crime scene is the person,” says Sarc manager Natalie Lynch, although they have more luck with a £20 note. ![]() She agrees to undergo a forensic examination at a Sexual Assault Referral Centre (Sarc), which means the race is on to discover any evidence that could lead to a suspect. She had been walking home in the early hours of the morning before she was grabbed from behind, threatened with a knife and then dragged into a derelict house. The third series of the fascinating forensics documentary opens with the harrowing account of a young woman who has been abducted and raped.
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